Recent Writings
Beyond These Walls: Realizations on immersivity, autonomously navigated safe-discomfort, and audience vulnerability.
Considerations for Future Iterations The feedback from Within These Walls has been overwhelmingly positive. It has provided entertainment for...
Performance & Experience: The Journeys through Within These Walls.
In Performance Theoretically, every Adventurer (audience-participant) who navigates through the journey (google form) of Within These Walls actively engages...
Discovering Within These Walls: An Audience-Led Create-Your-Own Adventure Inspired by Their Immediate Surroundings
Initial Thoughts and Project Impetus Presently the world is experiencing a phenomenon of self-quarantine and social distancing due to...
Lessons Learned from “I Wear The Mask”…
Considerations for Future Iterations Overall, I found I Wear the Mask. It Does Not Wear Me. to be an...
Methods of Gathering Audience Feedback from a Participatory Presentation
Assessment Design The majority of my focus rested on devising the performance itself. However, there were a few key...
I Wear the Mask It Does Not Wear Me: A PAR performance in response to “Two Amerindians Visit…”
Research Question Upon reading “The Other History of Intercultural Performance” by Coco Fusco, I have become a little obsessed...
You Taught Me the Importance of Collaboration: a conversation with Sumie Yotsukura
Sumie Yotsukura is currently pursuing her BA in Theatre at William and Mary. In 2018 she graduated from Our...
How Necessary is the Performer in Participatory Art Performance?
To refresh your memory… In assessing the two iterations of Complimentary Currency, I wanted to focus on a few...
What Makes a Compliment Fake or Genuine? A PAR project
In performing two iterations of Complimentary Compliments, I explored the significance of the relationship between compliment giver and receiver...
Why Do We Refer to Compliments in Fiscal Terms?
Research Question My first micro project, Something to Chalk About?, explored the relationship between audience/participant and performer through invitation...
