Pre-Production on Sophisticated Ladies

About the Project: Building off previous exploration and knowledge of digital performance from my work in Performance as Research...

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Collaboration and Communication Productively within the Bounds of a Rehearsal Power Structure

This past semester at Arizona State University, I served as one of three Assistant Directors for The Crucible, the...

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Collaborative Choreography Challenge

While we are stuck at home during quarantine, let’s dance alone together! The goal of this project is to...

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Discovering Within These Walls: An Audience-Led Create-Your-Own Adventure Inspired by Their Immediate Surroundings

Initial Thoughts and Project Impetus Presently the world is experiencing a phenomenon of self-quarantine and social distancing due to...

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I Wear the Mask It Does Not Wear Me: A PAR performance in response to “Two Amerindians Visit…”

Research Question  Upon reading “The Other History of Intercultural Performance” by Coco Fusco, I have become a little obsessed...

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Promoting Yourself When Self-Promotion Feels “Icky”

Self-promotion may perhaps just be the thing I hate most about working in theatre.  I’ve always been more comfortable...

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Day 3: Rehearsal Notes on ‘It’s Time’

Return to beginning of this post’s series Listen to Radio Interview with Peter & Justin post-residency Wednesday was all...

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It’s Time at The Geffen MOCA

This past week I collaborated on a devised performance with The Creative Thinking Project and The Geffen Museum of...

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Day 1: Rehearsal Notes from ‘It’s Time’

Return to Introductory Post in this Series Jump to Day 2 Post Peter, Craig, Justin (our documentarian), and I...

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Day 2: Rehearsal Notes on ‘It’s Time’

Tuesday’s work was intense.  We began to see the fragility of some of the group – whether it came...

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